Hand-worked Eyelets

Hand working an eyelet with a buttonhole stitch is surprisingly fast and easy.  Hand-worked eyelets are strong, easily sizable, don’t fall out, and most importantly, you never find yourself running out of the color you need at 3am.  

Sample:

Finished eyelets, front side shown.

Finished eyelets, front side shown.

Breakdown:

Size: 1/8″-1/4″ inner diameter.  Outer Diameter depends on stitch size.
Additional Supplies Needed: Heavy Thread, Awl (a sharp pencil will do in a pinch)

Process:


Figure out where you'd like your eyelet.  Poke the Awl through the fabric.

Figure out where you'd like your eyelet. Poke the Awl through the fabric.

This leaves a hole where the threads have been pushed aside.

This leaves a hole where the threads have been pushed aside.

Eyelets go faster if you use heavier thread.  I'm using Topstitching thread.

Eyelets go faster if you use heavier thread. I'm using Topstitching thread. I find it easier on the hands than upholstery thread and less fussy than embroidery floss.

Thread a needle, and knot the ends together.

Thread a needle, and knot the ends together. (I like a Goldeye 10 Sharp, but it is a little small in the eye for heavier threads. You can do it if you wiggle the thread a bit, though.)

Starting with the needle in back of the fabric, push through to the front.

Starting with the needle in back of the fabric, push through to the front.

Pass needle through hole, to back side, and pass between the threads at the knot.  Pull tight.

Pass needle through hole, to back side, and pass between the threads at the knot. Pull tight. Ideally, you want the thread ends as far from the hole as possible. The thread is now completely secure. (Shown from back side of fabric.)

Push needle back up to the front of the fabric, close to your original stitch.

Push needle back up to the front of the fabric, close to your original stitch.

Buttonhole Stitch: Pass needle through hole to back of fabric, then up to front.  Pull thread end under tip of needle, then around the top before pulling needle through.  Pull tight.

Buttonhole Stitch: Pass needle through hole to back of fabric, then up to front. For a small eyelet like this one, I'm working about 4 threads from the hole and 4 threads over from the last stitch (clockwise) Pull thread end under tip of needle, then around the top before pulling needle through. Pull tight.

Lather, rinse, repeat.

Lather, rinse, repeat. You can see the effect of that thread-wrapping business: because the thread is brought under the tip of the needle, each stitch makes an L shape, which gives our eyelet a neat broder.

To end, make a small stitch to connect the ring and pass the needle through to the back side of the work..

To end, make a small stitch to connect the ring and pass the needle through to the back side of the work..

One of the things that really slows you down when you’re sewing by hand is knots.  I don’t mean the kind that show up in the middle of the thread uninvited (though those are a bugger too).  I mean the kind that you have to tie at the end of stitching so that it doesn’t all come out.  I was taught a fussy little method with a short stitch, a loop, cutting long ends, a square knot, and cutting the ends.  That’s, like, fifty-two time consuming steps and I was forever making the first cut too close and having to tie the knot with these microscopic little bits of thread.

I don’t do that anymore.  I just make a little french knot in the last stitch.  (I’m including this because my own mother was shocked and astounded when I told her about it, so I figure there might be others who aren’t aware….)

In back, wind the thread around the needle 2-3 times before pulling the needle fully through. This will make a knot.

In back, pass the needle under an existing stitch and wind the thread around the needle 2-3 times. This will make a knot.

Pull the thread tight, being careful to keep the knot close to the fabric.

Pull the thread tight, being careful to keep the knot close to the fabric.

Pass the needle under the threads of a few existing stitches.

Pass the needle under the threads of a few existing stitches. Pull tight, then snip the tail close. This last stitch secures the thread tail so you don't have little pokey-threadsies. A secure thread tail is a happy thread tail.

Finished eyelet, from the right side.

Finished eyelet, from the right side.

16 thoughts on “Hand-worked Eyelets

  1. Christine says:

    Actually, it’s bad form to use double thread for these eyelets (or any other hand sewing, for that matter). Instead, use the proper thread for eyelets and buttonholes: buttonhole twist. If not available in your area, try 30-weight cotton or silk, or something similar. You will get better results and your eyelets won’t look sloppy like the one in the picture. Also, space those stitches slightly closer together and it will look neater. :)

    6 years ago | Reply

  2. missa says:

    Sande – I’m so glad you found something you liked here!
    Christine – Thanks for the great thread info!
    Shockingly enough, all of those are in little drawers in the workroom, and I am using a thicker thread in the demo. ;) I’ve noticed, over the years, that people come up with a lot of reasons for not trying handworked eyelets. I chose not to add “I don’t have the right thread” to the mix. I used it for too many years to want to pass it on.
    As far as the stitch spacing goes, you’re absolutely right there too. :) I normally do work eyelets with much closer stitches. The problem is, it doesn’t photograph worth a darn. If you can’t clearly see how the stitches work with each other in the photo, it’s pretty useless as a tutorial. (It would just be me showing off!)
    My goal is to make all this sewing and patterning junque that I do accessible to people who want to learn it. *laugh* If you know that much about threads and thread substitutes, you did’t need this tutorial.
    Thank you very much for taking the time to add information to the tutorial. I appreciate it, and I’m sure other readers of the site will to!

    6 years ago | Reply

  3. Ava Trimble says:

    Wait, why would it be bad form to hand-sew something that wants extra reinforcement using a doubled thread? I’ve heard about prohibitions like that in some schools of thought, for instance I think couture sewing, but I’ve certainly read plenty of references to doubled thread in various sources from various time periods. The main thing I come up against is that many modern people are suspicious of the strength of hand-sewing and tend to feel the need to use extra thread (doubling it when it need not and/or ought not to be doubled) or extra knots, when they aren’t necessary – but that doesn’t make it actually bad form to use a doubled thread when you’re doing something that, well, wants a doubled thread. Why do you say it’s bad form, Christine?

    Love the tutorial, Missa. I will have to experiment with your knot technique! I think I do something similar, but this seems like a nice little trick.

    6 years ago | Reply

  4. tahlia says:

    Two reasons that I avoid using a doubled thread for a particular task (e.g. eyelets, stitching on buttons, etc) —
    1- each thread pulls at a slightly different tension, making it more troublesome to get the threads to lie neatly, and the threads tend to tangle around each other as you stitch, also making it more troublesome to get them to lie neatly.
    (If the threads remain differently tensioned, it can not only look unsightly, but the wear on the threads can cause early failure.)

    2- The doubling point, where the thread bends across the eye of the needle, is under a lot of stress and may break in the process of sewing (frustrating!), especially if the eye of the needle is a little rough for any reason (cheap needle, needle got wet, dented, etc)

    And a gratuitous 3rd reason (because it doesn’t matter as much with modern threads) When thread is spun, it has a beginning end and an ending end. Pulling the beginning end through the cloth first will make a smoother result. Doubling the thread back means your pulling one strand with the natural direction of the thread and the other strand against it. I notice this one a lot when I embroider with my handspun yarns. :)

    6 years ago | Reply

  5. missa says:

    Hi, Tahlia,
    Thanks for the excellent comment! You’re right on all three counts. (I’m a hand-spinner too – thanks for bringing up the mechanical aspects of thread production. Uber-geek points!) :)
    Keeping the tension even on both threads, and keeping them from twisting at the edge of the eyelet, takes a bit of practice. I’ve been sewing things the “wrong” way since I was very little (maybe 5?), and I guess I’ve developed my own little thread-wiggle.
    Scandalously, I often double thread a needle (ie, 4 working strands) when I’m sewing buttons or snaps at the shop. I get paid to get things done fast, and if I can halve the amount of stitches I need to take… The math on that one is pretty easy. ;)

    6 years ago | Reply

  6. tahlia says:

    No shame in that– I usually sew on buttons with 2 to 4 working strands also. It’s quicker and easier, and I don’t think of it as much of a scandal since it’s generally an improvement over the button attachment methods used in modern industrial garment making. (Have you ever pulled on a stray thread only to have your entire button thread unravel, sending the button skittering across the floor and under a piece of immovable furniture?)

    I learned a long time ago that there are usually good, solid, respectable reasons for doing things “the Right way”, and that it’s wonderfully informative and empowering to find out what those underlying reasons are and why they create a “right” way.

    I also learned along the way that there are thousands of “Right” ways, each dependent upon their own set of assumed or prerequisite conditions, and that when you change one of the assumed conditions, you may well change the status of “right” to “not so right” or even “wrong”. (E.G. Cotton dyes in base ph. Wool dyes in acidic ph. : Cotton is damaged by acidic ph, wool isdamaged by basic ph).

    And as a trained artist, I learned that it is often useful and beneficial to break the rules, to do things “wrong”. It can serve an aesthetic or practical purpose, and it can provoke people to notice and think about things that they might otherwise take for granted.

    Your doubled thread is wonderful for this tutorial because it allows the reader to really see how the stitches are formed. It is also a time-saving and practical approach for things like Rennaisance Faire garb that is expected to take a beating and look authentic. Just the fact that it is hand-work will catch peoples’ eyes and make at least some of them say, “OOH! I love that detail!”

    Now, if I were going to invest the time and effort into a coture bridal dress or an heirloom Christening gown that is expected to be treasured through many generations, I’d take the extra time and care to work the eyelets with one strand, I’d use a hoop or embroidery frame for fabric stabilization, and I’d sign my work. ;)

    p.s. — I love your suggestion to finish off with a French Knot. I’ll have to try that some time and see how I like it. :)

    6 years ago | Reply

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    3 years ago | Reply

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