Hand working an eyelet with a buttonhole stitch is surprisingly fast and easy. Hand-worked eyelets are strong, easily sizable, don’t fall out, and most importantly, you never find yourself running out of the color you need at 3am.
Size: 1/8″-1/4″ inner diameter. Outer Diameter depends on stitch size. Additional Supplies Needed: Heavy Thread, Awl (a sharp pencil will do in a pinch)
One of the things that really slows you down when you’re sewing by hand is knots. I don’t mean the kind that show up in the middle of the thread uninvited (though those are a bugger too). I mean the kind that you have to tie at the end of stitching so that it doesn’t all come out. I was taught a fussy little method with a short stitch, a loop, cutting long ends, a square knot, and cutting the ends. That’s, like, fifty-two time consuming steps and I was forever making the first cut too close and having to tie the knot with these microscopic little bits of thread.
I don’t do that anymore. I just make a little french knot in the last stitch. (I’m including this because my own mother was shocked and astounded when I told her about it, so I figure there might be others who aren’t aware….)
Thank you so much for this well written and wonderfully illustrated explanation of how to make eyelets by hand. I’ve been trying to make historic doll clothing that is more “authentic,” and my latest project requires an enclosure with lacing. I hatehatehate setting metal grommets, and find that they don’t always look that good even when properly set. I am going to try this method and see if it’s more to my liking.
I’m so grateful for generous crafters and artisans like you who freely share your advice and tips on the internet!
Actually, it’s bad form to use double thread for these eyelets (or any other hand sewing, for that matter). Instead, use the proper thread for eyelets and buttonholes: buttonhole twist. If not available in your area, try 30-weight cotton or silk, or something similar. You will get better results and your eyelets won’t look sloppy like the one in the picture. Also, space those stitches slightly closer together and it will look neater. :)
thank you so much for this tutorial! i’ve been sewing for 54 years, and have never heard of your knotting method. you can bet i will be using it from now on!
Sande – I’m so glad you found something you liked here!
Christine – Thanks for the great thread info!
Shockingly enough, all of those are in little drawers in the workroom, and I am using a thicker thread in the demo. ;) I’ve noticed, over the years, that people come up with a lot of reasons for not trying handworked eyelets. I chose not to add “I don’t have the right thread” to the mix. I used it for too many years to want to pass it on.
As far as the stitch spacing goes, you’re absolutely right there too. :) I normally do work eyelets with much closer stitches. The problem is, it doesn’t photograph worth a darn. If you can’t clearly see how the stitches work with each other in the photo, it’s pretty useless as a tutorial. (It would just be me showing off!)
My goal is to make all this sewing and patterning junque that I do accessible to people who want to learn it. *laugh* If you know that much about threads and thread substitutes, you did’t need this tutorial.
Thank you very much for taking the time to add information to the tutorial. I appreciate it, and I’m sure other readers of the site will to!
Missa, I value this tutorial very much!
Perhaps those that know “a better way” could take time to make a turtorial also? I doubt that will happen… Most can read it like I do, and not worth your time to respond. So please, keep on keeping on! And a great big THANK YOU!
Wait, why would it be bad form to hand-sew something that wants extra reinforcement using a doubled thread? I’ve heard about prohibitions like that in some schools of thought, for instance I think couture sewing, but I’ve certainly read plenty of references to doubled thread in various sources from various time periods. The main thing I come up against is that many modern people are suspicious of the strength of hand-sewing and tend to feel the need to use extra thread (doubling it when it need not and/or ought not to be doubled) or extra knots, when they aren’t necessary – but that doesn’t make it actually bad form to use a doubled thread when you’re doing something that, well, wants a doubled thread. Why do you say it’s bad form, Christine?
Love the tutorial, Missa. I will have to experiment with your knot technique! I think I do something similar, but this seems like a nice little trick.
Thank you so much for this! Have just done my 1st hand stitched eyelets ever.
Am working on my first 16th c outfit (1540s venetian gown) and your tutorials and tips help keep me sane(er). :)
much love from Glasgow, Scotland
Two reasons that I avoid using a doubled thread for a particular task (e.g. eyelets, stitching on buttons, etc) —
1- each thread pulls at a slightly different tension, making it more troublesome to get the threads to lie neatly, and the threads tend to tangle around each other as you stitch, also making it more troublesome to get them to lie neatly.
(If the threads remain differently tensioned, it can not only look unsightly, but the wear on the threads can cause early failure.)
2- The doubling point, where the thread bends across the eye of the needle, is under a lot of stress and may break in the process of sewing (frustrating!), especially if the eye of the needle is a little rough for any reason (cheap needle, needle got wet, dented, etc)
And a gratuitous 3rd reason (because it doesn’t matter as much with modern threads) When thread is spun, it has a beginning end and an ending end. Pulling the beginning end through the cloth first will make a smoother result. Doubling the thread back means your pulling one strand with the natural direction of the thread and the other strand against it. I notice this one a lot when I embroider with my handspun yarns. :)
Thanks for the excellent comment! You’re right on all three counts. (I’m a hand-spinner too – thanks for bringing up the mechanical aspects of thread production. Uber-geek points!) :)
Keeping the tension even on both threads, and keeping them from twisting at the edge of the eyelet, takes a bit of practice. I’ve been sewing things the “wrong” way since I was very little (maybe 5?), and I guess I’ve developed my own little thread-wiggle.
Scandalously, I often double thread a needle (ie, 4 working strands) when I’m sewing buttons or snaps at the shop. I get paid to get things done fast, and if I can halve the amount of stitches I need to take… The math on that one is pretty easy. ;)
No shame in that– I usually sew on buttons with 2 to 4 working strands also. It’s quicker and easier, and I don’t think of it as much of a scandal since it’s generally an improvement over the button attachment methods used in modern industrial garment making. (Have you ever pulled on a stray thread only to have your entire button thread unravel, sending the button skittering across the floor and under a piece of immovable furniture?)
I learned a long time ago that there are usually good, solid, respectable reasons for doing things “the Right way”, and that it’s wonderfully informative and empowering to find out what those underlying reasons are and why they create a “right” way.
I also learned along the way that there are thousands of “Right” ways, each dependent upon their own set of assumed or prerequisite conditions, and that when you change one of the assumed conditions, you may well change the status of “right” to “not so right” or even “wrong”. (E.G. Cotton dyes in base ph. Wool dyes in acidic ph. : Cotton is damaged by acidic ph, wool isdamaged by basic ph).
And as a trained artist, I learned that it is often useful and beneficial to break the rules, to do things “wrong”. It can serve an aesthetic or practical purpose, and it can provoke people to notice and think about things that they might otherwise take for granted.
Your doubled thread is wonderful for this tutorial because it allows the reader to really see how the stitches are formed. It is also a time-saving and practical approach for things like Rennaisance Faire garb that is expected to take a beating and look authentic. Just the fact that it is hand-work will catch peoples’ eyes and make at least some of them say, “OOH! I love that detail!”
Now, if I were going to invest the time and effort into a coture bridal dress or an heirloom Christening gown that is expected to be treasured through many generations, I’d take the extra time and care to work the eyelets with one strand, I’d use a hoop or embroidery frame for fabric stabilization, and I’d sign my work. ;)
p.s. — I love your suggestion to finish off with a French Knot. I’ll have to try that some time and see how I like it. :)
[…] Alternatively, you can make hand sewn eyelets. They are more work, but they are also the most authentic option. The Sempstress has a wonderful tutorial on How to Sew Eyelets. […]
I always struggle to keep the hole big enough to actually get a lace through. I make the hole bigger using knitting needle…but no matter how large I make the hole by time I get to cast of its 3/4 smaller and I can’t get the lace though. Any ideas
Hi, LadyD – If the eyelets are closing up, there’s a couple things I’ve found that help. First, pull viciously with your stitches. For really stubborn fabrics, I whip around the hole before I start the buttonhole stitches. Sometimes you have to stop half way through the eyelet and poke it with the knitting needle again. Also, for eyelets that came out to small, using thin ribbon for you lace and sewing it to a yarn needle helps with the lacing process.
[…] How to make beautiful hand bound eyelets – The Curious Frau demonstrates a three-step eyelet Hand-worked Eyelets – Semptress shows how to do a hand-sewn […]
Thank you for this! I’ve been trying to figure out how to hand sew an eyelet, and this is the first tutorial I’ve found that really makes it clear and easy for a beginner. Can’t wait to try it out!
Glad it helped – how did the eyelets go? My first couple were utter disasters. ;)