So, Laura said she was looking forward to a demo on how I made the Frock Coats for 1776. I used a pattern. (What?! Missa? Are you feeling ok??) It’s not that I’m not all about cheating, or being creative, or drafting patterns. It’s just that it easier to a pattern that already exists and change it up. Here’s some ideas…
7 CommentsTag: Theater
Have I mentioned that my show has, by and large, come from Goodwill? Yes, indeed. One of the characters in 1776 is “a courier”. (No, really, that’s all they call him in the script.) He’s an army courier who brings messages in to the continental congress. I need him to look like he’s a) military and b) really, really dirty. This means that I get to build the coat, and then I get to have a bit of fun with it…
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Oddly enough, I needed 19 pair of Colonial britches to go with my 25 Colonial vests. (Because I had much better luck renting britches than vests, not because I let anyone go pantless.) This is very similar to the trick I used for the Oliver! knickers, but they need a slimmer fit and different length. It goes like this:
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I needed 25 Colonial-looking vests for 1776. Because I wasn’t sure that I’d get round to making a coat for everyone, I wanted vests that weren’t faked out in the back, and I needed them to have structure and to be long enough to cover the obviously modern fly fronts on the britches I was making them. Now, you can’t just trot off to the Goodwill and buy a real live Colonial vest. But you can pull off something passable, if you believe that that there are, in fact, user-serviceable parts inside of a jacket….
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I know, I’ve said it before, and it probably sounds like I’m gloating a little bit. And I’m not gonna lie – I kinda am. Not only is it the coolest job ever, but my boss says I can use my exploits in the costume shop as blog fodder. Tee hee…. The downside is that I don’t really have any excuse to use a computer at work, so the actual physical reality of being at work sort takes me off the interwebs. That’s why missa hasn’t been around as much lately. But now I’m back, and I thought I’d share some more of the crazy things I actually get paid to do…
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I’m a huge fan of shoe roses (aka, “shoe hoo-ha-s”, “shoe hooters”, “shoe dec”, etc). Whatever you want to call the silly little things, I love them. Seriously, little hats for shoes? Tee! Put me in, coach! They just make me giggle… If you need to period-up a shoe with a strap across the foot (like a mary jane or t-strap style dance shoe), here’s a quick and dirty way to build a shoe rose that is relatively actor-proof…
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This one won’t win you any points for historical accuracy or art. It’s more for those times when you need to put something decidedly ruff-like around a neck, and you need to do it in a big bad hurry. Say you’ve got a kid who needs a halloween costume, or, I dunno, a designer who needs 10 clown ruffs to put on a pack of galloping ballerinas doing a piece inspired by Pierrot and Columbine…. Ahem. Yes. Well. If you’ve hit the “Done is Beautiful” point, this is the ruff for you. If you’re looking to make a ruff The Right Way(tm), you maybe oughta take a pass…. ;)
10 CommentsAnother fine theatrical production has been downgraded to a pile of stinky laundry. Yes, Chicago is finally over (except for one or two more loads of laundry, the great put-away, and other glamorous parts of the job). My design partner and I were incredibly pleased with the way the show looked, and the fact that it’s over.
Leave a CommentI’m just digging myself out of the black hole that was tech week (and, in fact, the weeks prior to) – too much sewing/arts and crafts work, not enough time, and no where near enough coffee in the universe. The show is up though, and it looks pretty good.
2 CommentsThat’s right! I’m half of the costuming team for Chicago at Wheaton Drama. If you’re close to Chicago (the city) and want to be in Chicago (the musical), here’s the audition info…
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