I’m a visual learner. I mean, I owned a copy of Patterns of Fashion for years before I ever looked at the words. (I’m not even kidding. Turns out the words are pretty useful too!) If you find yourself in the same boat, this might help. It’s a set of line drawings of the Pfalzgrafin and Effigy corsets, as well as my cheater curved front corset, lined up side by side for easy visual comparison.
5 CommentsAuthor: missa
Croquis are little pre-drawn bodies used by fashion designers to speed up the sketching and design process. I made this one with Em and a basic 1500s silhouette. A lot of people have been coming to the site lately and being really great to me, and I wanted to do something as a thank-you.
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Happy Valentine’s Day! Let’s talk about something that makes my little costumer’s heart go pitter-patter: the Effigy Corset. I’ve had a major case of corset-brain lately (I think it’s a rebellion against that darned unfitted eleventh century thing), and I’ve been doing some research. You know what’s annoying about the Effigy? I don’t have a nicely gridded version of it drawn up by Janet Arnold. She spoiled us, you know…. I’ve no idea how to think without her beautifully scaled grids and neat technical notes. I so wish that the Effigy was covered in Patterns of Fashion. But it’s not, and I needed it…
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I had this horrible, recurring experience with some of my oldest costumes: I’d put a zillion hours worth of work into making something, right, and lace myself into a corset to make me skinnier, and put on enormous skirts that should have dwarfed my waistline, and the bodice and the yadda yadda, and, like, fifty pounds of tightly laced clothing later, my torso looked stumpier and my waist looked wider than it had when I started. That’s a lot of work to go through to look shlumpy, you know? Fortunately, there’s a simple little trick you can play with the waistline on an Elizabethan dress that will help…
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Oh, that pesky Pfalzgrafin corset… It’s technically dated to 1598, by virtue of being found on the body of Pfalzgrafin Dorothea Sabina von Neuburg, who was buried then. It would be really-amazingly-super-conveneint if it was older, wouldn’t it? Seriously. I’ve really got an itch to do something from the middle of the 1500s. I’ve started the little chemise (I’m even trying to embroider the darn thing), and I’ve been messing around with recreating the Pfalzgrafin pattern based on the Basic Conic Block.
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I’ve been doing some background work for a project, and I had to do up a Conic Block for Lizzle. Her body is a leeeetle bit stylized, and she’s particularly got a relatively wide shoulder and upper back (like a swimmer), and she has a distinct curve at her upper back (a swimmer who spends too much time hunched over a desk, maybe?). Anyway, here’s an adjustment to the Basic Conic Block draft for situations where the upper back is significantly larger than the back bust measurement.
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When I started working down to dolly sizes, I knew I was going to have some issues with the scale. I’ve been neurotic about fabric choices – I mean, what do you substitute for velvet that will look like velvet, and fall like velvet? Twelve inches of skirt is just does not have enough weight to bend velvet to the laws of gravity. What about embellishments? What about the $#*&^!! EYELETS?! Oy….
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Hi-ho, Kermit the frog here…. Wait, no, that’s a different show. I’ve been working on the overdress for the Eleventh Century German costume, and it’s finally on the darned doll. Yay! It’s not finished, by any means, but it’s progressing…
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People have a lot of complaints about hand sewing. The more common ones include “it’s slow” and “it makes the hurty in my wrists”. There’s actually a really easy thing you can do to help speed up your hand sewing, and take some of the strain off your wrists….
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Felled seams are sturdy and utilitarian. We’re mostly familiar with them as the re-inforced seams on our jeans, but felling is a very old technique. It was a handworked finish for seams centuries before sewing machines were invented, and was often seen in traditionally home-made items like shirts and chemises. A seam allowance can be felled after the fact. It’s a good finish for both hand and machine sewn seams, and, properly done, is completely invisible from the outside of the garment.
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