I’ve been playing a lot with the Pfalzgrafin corset lately. One of the things I said in the original post was that this type of corset is rather uncomfortably on bodies that aren’t relatively straight, and is a total failure on more extreme hourglass shapes. But I wanted to make it work on Tyler, so I started thinking about two basic assumptions we make about corsetry: that the corset supports the bust, and that the corset has negative ease which allows it to reshape the body and make it smaller. What happens with the Pfalzgrafin block if we throw those assumptions out the window?
I’m a visual learner. I mean, I owned a copy of Patterns of Fashion for years before I ever looked at the words. (I’m not even kidding. Turns out the words are pretty useful too!) If you find yourself in the same boat, this might help. It’s a set of line drawings of the Pfalzgrafin and Effigy corsets, as well as my cheater curved front corset, lined up side by side for easy visual comparison.
Oh, that pesky Pfalzgrafin corset… It’s technically dated to 1598, by virtue of being found on the body of Pfalzgrafin Dorothea Sabina von Neuburg, who was buried then. It would be really-amazingly-super-conveneint if it was older, wouldn’t it? Seriously. I’ve really got an itch to do something from the middle of the 1500s. I’ve started the little chemise (I’m even trying to embroider the darn thing), and I’ve been messing around with recreating the Pfalzgrafin pattern based on the Basic Conic Block.