So here’s the trouble with tutus… They are made of many, many layers of tulle*. And tulle, these days, is made of hate. I don’t want to sound all judgey-pants, but it’s true. Your average fabric store tulle is made of nylon, a fiber which suffers from a constant string of cheap, tragic affairs with single electrons. By the time you have 6 layers of nylon tulle mounted on the basque (that’s the shaped waist-band bit), you’ve actually sewn yourself a fluffy little Van de Graaff generator. A tutu-in-progress is amazing – you can actually watch threads fly from the floor towards the tutu where they permanently bond with with tulle. Effective for cleaning, perhaps, but not so good for the tutu which should ideally not look like some sort of worm-farm. Just in case you, dear reader, ever find yourself herding tulle through a sewing machine, here are a few tricks I’ve picked up from a couple years of sewing dance concerts at the shop…
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Sometimes, you want to know if dye is going to bleed (or shift) in the wash. This is particularly good to know if you don’t plan to prewash your fabric. What? Missa, you blasphemous cheat! I know, we always want to prewash the bejizzies out of everything, but there are times when you don’t want to, either because you know it shouldn’t bleed but it’s red and you’re using it for bias on a white blouse or because you’re making something that you don’t want any possibility of pre-shrink stretch-out in (like a corset) or whatever, and you just want to know if it’s safe. Here’s a quick test.
Leave a CommentVelvet is always a fantastically period fabric choice for medieval and ren costuming, right? (Assuming, of course, that the character being costumed would have been allowed to wear velvet.) Annoyingly well legislated social norms to one side, velvet is great, isn’t it? Well, sadly, no… Not all velvets are created equally.
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