So here’s the trouble with tutus… They are made of many, many layers of tulle*. And tulle, these days, is made of hate. I don’t want to sound all judgey-pants, but it’s true. Your average fabric store tulle is made of nylon, a fiber which suffers from a constant string of cheap, tragic affairs with single electrons. By the time you have 6 layers of nylon tulle mounted on the basque (that’s the shaped waist-band bit), you’ve actually sewn yourself a fluffy little Van de Graaff generator. A tutu-in-progress is amazing – you can actually watch threads fly from the floor towards the tutu where they permanently bond with with tulle. Effective for cleaning, perhaps, but not so good for the tutu which should ideally not look like some sort of worm-farm.  Just in case you, dear reader, ever find yourself herding tulle through a sewing machine, here are a few tricks I’ve picked up from a couple years of sewing dance concerts at the shop… Read the rest of this entry »

Sometimes, bad things happen to good costumers. Like, your sister is throwing an 80′s party the next evening and you bomb out finding anything that can be mangled into some reasonable approximation of Cyndi Lauper so-unusual-excellence, and every bit of vintage you can find is a size 4. Now, that’s maybe not to traumatic if you actually are a size 4. I wouldn’t know, because as it turns out, my left thigh is a size 4. But I found the jacket of my dreams, and it was merely 4 or 5 sizes to small. What’s a girl to do? Gussets. Gussets will save you here. Read the rest of this entry »

One of the joys of live theater is that there is always the possibility that something might go catastrophically wrong. I costumed Dirty Rotten Scoundrels a few months ago. Monday of tech week, the day after the production photos were taken, one of the two leading ladies went into the hospital. She was, obviously, replaced. Her replacement could not fit the same costume – the size was off, and she played the character differently. That sort of left me scrambling for a new concept (I settled on something around early Loretta Lynn meets GCB) and a some western wear that didn’t fall into my budget. Bring on the franken-jacket! Read the rest of this entry »

Calling this a demo might be a bit optimistic, since I don’t seem to have as many pictures lying around in iPhoto as I remember taking, but what the heck? ;) (Frankly, it just feels good to take a minute and write again. Who needs content?) Anyhoo… This is a fast and easy way to make a decently regency looking bonnet, a la Elizabeth Bennet in Pride and Prejudice.

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It’s a sad commentary about my life that I am sitting here in mid-December still trying to finish writing all the demos I did photo work for during 1776 last spring. Life’s been a little crazy lately. Great/fantastic/amazing (grantasticazing?), but crazy. Anyhoo… One of life’s great mysteries seems to be “How do you alter a hat?” I’ve talked about straws, which are basically a “just add water” operation. Reblocking felts is slightly more dangerous exciting, because you get to play with steam. Ready? Read the rest of this entry »

Somewhere in the Victorian era, people started coming up with ideas for making corsets more comfortable to wear. Gigglishiously ironical though that may sound, some great innovations came out of it. One of my favs is the single layer corset – no lining, no interlining, just a base layer of fabric and some boning. If you do outdoor events in the summer, it’s a trick worth adapting. (“It’s period! It’s just not quite your period, dear rennie…” says the voice of evil. Heh. ;)  )

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The first steel, front-fastening busk was invented in 1829. (Waugh, 79) They’re nifty little beasties, especially at the end of the day when you would really, sincerely like to be OUT of your ding-dang corset. I’ve hear rumors that they can be used to get into a pre-tightened corset, as well, but I’ve tried, and I’m clearly missing a clue or two there. :/ The clue I do have is in how to insert the little buggers. Interested? Read the rest of this entry »

Ok, so you know I’m gonzo about le moulage, right? It’s basically a princess line dress, with no ease. That makes it a pretty accurate model of a specific human’s torso. But what the heck do I do with that information? I’m working with two remote clients right now, and they’ve sent me back their moulages (with notes – nothing is perfect the first go). For Haley, I need to draft a regency style corset for her Elizabeth Bennet inspired dress. Here’s how to go from Moulage (or any other princess-line sloper you’ve got handy) to the least moulage like thing I can think of – an 1820s corset. ;) Read the rest of this entry »

So, for the next installment in the series, I’ll tackle the character of Germaine in Picasso at the Lapin Agile. (Wowza, did that sound pretensious…) The rough inspiration for the costume was, “How would Miss Piggy do Steampunk?” This one is slightly more complex than the Admirer, but still pretty easy to wrangle out of resale… Read the rest of this entry »

Have I mentioned that my show has, by and large, come from Goodwill? Yes, indeed. One of the characters in 1776 is “a courier”. (No, really, that’s all they call him in the script.) He’s an army courier who brings messages in to the continental congress. I need him to look like he’s a) military and b) really, really dirty. This means that I get to build the coat, and then I get to have a bit of fun with it… Read the rest of this entry »