Some people are really good at threading needles – thread, needle, stabby-thread-through-needle-eye, presto-change-o, needle threaded. Some people are maybe no so much and it goes more like, thread, needle, stabby, stabby, stabby, curse, stabby, CURSE, stabby, stabby, needle threaded. If that sounds familiar, great news! There’s a way to thread a needle without all the stabby-stabby business. Read the rest of this entry »

You know those mistakes you make over and over and over? One of my biggies is with hand-sewing. I’ll get everything laid out, with my fingers carefully positioned to start, and then realize that I’ve forgotten to thread the gosh-darned needle. I’m not even kidding! This has to be the most basic thing in the universe, and I’m completely resistant to learning it. That’s why I know how to thread a needle with one hand…. Read the rest of this entry »

This is another of those “Duh!” tricks to speed up your sewing. I’ve been making silly little dolly chemises, and I keep running into areas where I need to sew 1/4″ by hand to close a band, or finish a sleeve vent. This happens in normal sewing, too, but you’re usually looking at 2″ or so. Normally, you have to grab a thread, thread a needle, knot the end of the thread, find someplace relatively hidden to lodge it, and then you get to actually start sewing. We can cut out at least two of those steps. Read the rest of this entry »

The eleventh century outfit needs and overdress, which means I need a pattern. I want to make one based off a diagram from Kohler’s History of Costume, but the measurements are basically useless to me because my model is a doll.  Fortunately, I have a chemise-y-tunic-y pattern already, and it’s a simple matter to alter that into the overdress pattern I want. Read the rest of this entry »

This goes together quite easily, since it’s really just a series of straight lines. Shirts and smocks with the same general layout (small variations in neckline) continue to be used into the sixteenth century, at least, and I can see why: it’s easy. There’s no need for a gusset, because of the angle the sleeves are placed on. That is so cool. (If you don’t know why that’s cool, it’s because you’ve never sewn an underarm gusset by machine. They’re all sorts of annoying.) Read the rest of this entry »

According to my handy-dandy stitch dictionary, this is also called the “open chain stitch” or “Roman chain stitch”. This is a nice, relatively simple, geometric decoration. Because it has a straight edge, you can work it right on top of a machined hem to hide the machine stitches. (I believe in cheating.) Read the rest of this entry »

What? Why would you ever possibly want to do that, missa? This is a good question, and the answer is basically, “Because you can.” That, in an of itself, is cool enough for me. I can take the pattern of my little dolly body, or the pattern I cloned off a dolly, or even a fitted princess line sloper of a human, and make a chemise. (Also, I have drafted approximately 55,237,648,119 smocks and chemises and shirts in my life, and I’m just lookin’ for ways to keep it exciting…) This isn’t unlike draping on a stand, because we’re going to make a pattern by eyeballing fit against a human form. It’s just that my human form, in this case, is in the form of flat pieces instead of a three-dimensional stand. But those pieces convey all the same critical information the stand does, and they don’t cost near as much as a decent dress form. Read the rest of this entry »

Sometimes, you have to finish a seam allowance so it won’t fray. (Or, possibly, you’re like me and compulsively finish seams, whether they need it or not.) There are times when you can’t use a french seam, or you are working in an area too tight for a felled seam, and you want something nicer than an overcast edge. This method of finishing a seam allowance by hand will prevent them from fraying, and lightly reinforce the seam. Read the rest of this entry »

It sounds way too good to be true, doesn’t it? I mean, making patterns without a whole bunch of math? You can do such a thing? We’re barely even going to use measurements!  We’re going to use out Basic Conic Block, and enjoy good old fashion magic of the sloper alteration. If this sounds too modern, there’s something you need to know: the idea of describing a pattern as a series of steps and measurements is less than 150 years old. Read the rest of this entry »

This is a really nice looking edge finish. It’s decorative and fully sealed. It shows up all throughout the ages – sixteenth century ruffs, smocks and chemises of all eras, even on modern blankets (of all things). It’s also a great utility stitch – milliners use it to whip wire down to buckram hat brims. Read the rest of this entry »