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People have nicely shared costumes made with the help of these instructions:
Hmmm.... Well, this isn't much of a list.
If you'd like to share work you've done here, please contact
me. I'd love to feature your work!
So, you've bought, begged, borrowed, stolen (I hope not), or
been gifted with a dress dummy. It came with directions about how to adjust
it to your size. The instructions they gave you were for modern clothing, and
you wanted the dummy for to make 'bethans. And, most importantly, the instructions
didn't say a darned thing about what to do *after* you got the dummy adjusted!
How do you use it? Are there care and feeding tips you should know? (No - dress
forms don't eat. That's the good news.)
Let's start with getting that dummy set up for historical costuming.
This article is based on working with my dress form, which is a Uniquely You
model. It's squishy -- that's why I bought it.
The
first (three) things first - your dummy will need to be corseted, adjusted
to your height, and you'll want to mark the waist line. How you corset
the dummy depends on the kind you have. Mine can (with some wrestling)
just be laced into an old corset. The formed plastic dummies with the
little dial adjusters, which are more common, can't be. You'll want to
dial the dummy to measurements slightly smaller than yours, wrap and old
towel around the midsection to smooth out some of the formed contours,
and then corset the dummy.
Most dress dummies adjust up and down on a pole. I adjust
Janey so that we stand shoulder to shoulder -- you might notice that her
shoulders are at a different angle than mine. I judge the height from
the outside of the shoulder, as that's where straps on a bodice hit. It's
a good idea to mark the pole where so that you can easily adjust your
dummy in the future. I used a small file to make a scratch I could feel
right underneath the little adjuster-do that holds janey in place on her
pole. I have two scratches, actually -- one at the exact right height,
and one about an inch and a half above. I'm a nut, and I do have some
costumes meant to be worn with heels. (Heels? On a faire ground? Yeah,
well.... My favorite pair of faire shoes have netted me the marvelous
nickname, "she of the incredibly impractical footwear".)
The last thing here is to mark the waistline of your dummy.
This isn't always obvious when you're dealing with costumes. Janey is
wearing my first ever attempt at a corset -- it's cut about an inch and
a half too long. (It left scars on my back and sides when I wore it.)
Most costume pieces fit at or slightly above the natural waistline, so
it's good to know where it is. I use a mirror for this one too -- standing
shoulder to shoulder with the dummy, I put one hand on my natural waist,
and use the mirror to help me stick a pin in janey at the same level.
I mark both sides that way, then pin a piece of ribbon all the way around
janey at that level. (Note: if one side of your waist is higher than the
other, base the waistline measurement on the higher side. You'll be more
comfortable in the long run.)
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Next
thing's next -- after several years struggling to fit doublets, I'm making
janey a pair of falsies. See, the way that high density foam reacts to
being corseted is entirely different than the way a human breast reacts.
The foam squishes in, while the breast goes *up*. I'm using squares of
quilt batting (about 2" total thickness)
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I'm
just using pins to form that square into something that looks a little
more natural.
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The
pinned batting from the side -- it's larger than I want it, but after
I cover it with muslin, it'll compress down to about the right size.
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Some
things come in pairs.... Getting both of them to more or less match is
more of a trick than I had anticipated.
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Two
bits of batting are great, but since I plan to use janey for fitting things,
I need to cover the batting with muslin so that I can pin things to it
without destroying the batting. The muslin is also stretched taut enough
to compress the batting somewhat, and give a more natural, rounded sort
of shape.
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I
like things to be nice and neat, so I trimmed the muslin and turned the
edges under. |
That's
the side view, when all is said and done. It's not too bad, and it's a
more accurate silhouette than I had when I started....
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I've
used some more ribbons to mark a few more critical lines that I use when
making patterns. The red ribbon, at the waistline, was already there.
I've added a pink ribbon across the bustline -- that's marks a "modesty
line" for cutting bodices, so that I don't have to worry about exposing
more than I meant to. The black ribbon running down the center of Janey
is the exact center front line. If you look at the closeup, you'll see
that it's off center from the center line of the corset she's wearing.
I've known about that for years, and it makes fittings kind of annoying.
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A
three quarters view shows another line I marked -- the center side/top
shoulder line. I use those lines a lot when making up patterns, and now
I will finally know that I'm getting it right every time.
Technically, you could mark all of these lines with a
marker if you wanted to. I don't, because several of them (notably the
natural waistline) fluctuate when I gain or lose weight. I also find it
much easier to line up a ribbon neatly than I do to draw a level line
around a curved dummy.
At this point, Janey is all set up with an accurate historical
silhouette, and all of the crucial lines I need for pattern drafting are
marked. Let the patterns begin!
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